-for dr. rhonda williams
“nunna dat, you people, my people, nunna dat
here.”
the classroom sweats daggers,
the classroom sweats daggers,
causing vaguely assembled necks to quiver.
sandile
is from jo-burg, busted-out bantustan,
journalistic
creds from the white man’s heaven.
lester,
with a suburban mulatto cringe,
scrawls
nihilism in a two-dollar notebook.
“nunna
dat, you people, my people,
for
we are all the people.”
her first instruction dangles like a leech.
it sucks on our colonized psyches,
propels itself across the turnstile
of metropolitan decay.
propels itself across the turnstile
of metropolitan decay.
s’pose ta be us an' dem, yah dat’s right
ya
dumb kraka in dis game da color
line
da problem ‘a da 20th cent'ry.
white
is white black is black
you gits yer fountain he gits his
we’s only s’pose ta cum togetha
you gits yer fountain he gits his
we’s only s’pose ta cum togetha
neva.
in fact, they
shot martin for this egregious line:
“in the end, we will remember not
the words of our enemies,
but the silence of our friends.”
du bois knew class, but fled.
rhonda
stays, to save all that
can
be picked from the ashheap,
then, just maybe:
re-used, re-cycled, re-animated,
made into worshipful trinkets of ideology,
then, just maybe:
re-used, re-cycled, re-animated,
made into worshipful trinkets of ideology,
glossy
knicknacks of alternative economy.
a
skyscraping angie davis fro
crowns
a soul bruised and bittered
by countless ghetto privations,
expected ivy league frustrations,
and university boardroom machinations,
by countless ghetto privations,
expected ivy league frustrations,
and university boardroom machinations,
any temptations
towards selling out
rejected like bacon in a mosque.